Malory- Floating (get past the poetry bit, please)
Friday, 29 January 2010
Album Review- Malory- Pearl Diver
Malory- Floating (get past the poetry bit, please)
Friday, 22 January 2010
THE FIFTH SEASON: „FASNACHT“
Narri Narro!
And I cannot blame you if you think now, what the hell is she talking about!
Let me explain it to you as good as I can and later you can say: “ Jesus, I knew it, The Germans are a strange type of stuffed cabbage.”
Fasnacht is called the fifth season, because it gets celebrated like Easter, X-mas and the one when Jesus mates got the holy spirit and his sandals…oh, and I think, and some women holidays….I do not know what you call it in English…..I will look it up later.
Some people actually only live for this fifth season “Fasnacht” and save their holidays and money in order to masquerade as witches, devils, barbies( that is easy, we have a lot of barbies and Kens), cowboys and Indians (easy too as Germans love to play cowboys and Indians in their spare time) and as police officers( easy too just do not dress) …ect… the list is very long – I remember that I had to go once as a clown when I was younger, because I refused to go as a ladybird and take part in a silly school play. So they dressed me up as a clown with a big red nose and a stupid clown costume which disappeared including hat and red nose after I left home. I told them I got robbed from a group of kids, they liked the costume so much….Costume got found two weeks later in the garage in a bucket where I changed to myself…
Once they captured me (that was the last time I spent my time watching this procession), forced me in a cage with a lot of hysterical women screaming their bloody heads off and doing noises like little piggies when they are hungry – that was not a very pleasant experience and I managed to escape by just jumping off – so easy, but some people like it to get whiped and fed …
The whole thing about Fasnacht is to banish the winter that is the excuse to take five weeks off and go on the gargle to strip nacked in bars, pubs and on the street and to rob banks.
Here a small video for you to get a slight taste of it
Album -Delphic - Acolyte
Delphiccounterpoint by Cogstar
Thursday, 14 January 2010
Thursday, 7 January 2010
Ladbrokes top 10's
Ok, for what it’s worth, here’s the first bit of my take on the year. With the assistance of my Ladbrokes Diary I’ve been able to compile a number of lists. The first one is my top ten gigs, it’s as near as I can get to the rest of your lists. Top ten Bank Holidays, religious festivals and race meetings may very well follow due to them getting a mention in the diary, albums of the year may just have to be limited to a top 5 due to a failing memory.
Top ten gigs was fairly easy to do as I tend to make a note of gigs when I book them, mainly so I don’t forget to go to them and so I’m now able to see where I’ve been. Some good ones didn’t make the cut, The Specials in
So in tenth place we have Ash at
At nine it’s From The Jam at Mr Kyps in
Number eight was British Sea Power,
In seventh place were Hanoi Rocks,
Sixth goes to The Young Republic,
Bottom of the top half was Boo Hewerdine, November, Kirkby Stephen – Nearly blew it by booking a hotel in Kirkby Lonsdale, but got away with it. He played a tiny venue where you had to bring your own booze. It felt like I owned the town as I walked down the main street with my Dr Who coat on and a bottle of red in each pocket. Apparently the female singer from the support band was eyeing me up which caused my companion to growl a bit, but I was oblivious to it all after working my way through the contents of my pockets. Some great new songs, particularly Geography, which I would link to if I did that sort of thing.
At fourth is Morrissey, Manchester, May – Cant remember much about this one actually, but it was his 50th birthday gig in his home town so I suppose I should include it, although I suspect I probably enjoyed The Undertones at Bingley or SLF in Edinburgh more. Regardless of that, it’s Morrissey, so he gets in. That’s just the way it goes as the man himself once sang. Fourth is too high however, but I can’t be arsed to alter it now.
Bronze medal goes to
Runner up was Mott The Hoople, Monmouth, September. The warm up for Hammersmith, 400 seater venue, it was really odd seeing them for the first time ever. Buffin had been hospitalized so couldn’t make it. The crowd were a little subdued, staying seated until the encore, but it was a great appetizer for Hammersmith.
But the winner (and I suspect that this wasn’t much of a surprise) was Mott The Hoople, Hammersmith, October. I’ve grouped the five nights together as it wouldn’t have left much space for anything else if I had included them all separately. Mott had done some pretty high profile shows at Hammersmith in their heyday and it seemed as good a place as any for the reunion. I’d bought tickets for the Friday and Saturday shows as soon as they went on sale and then got a Thursday one when that date was announced. When they extended the run to include the following Monday and Tuesday, I got one for the final night. After all, it’s only once every thirty five years. I’ve had one or two comments that seeing them more than once is a little on the obsessional side and maybe it is, but you have to be somewhere and I reckon that for the first week in October Hammersmith Apollo was that place.
Thursday I knocked off work at four o’clock and got the train from Southampton to
Mott came on to Jupiter and then opened again with Hymn for the Dudes, followed by pretty much the same set list as in Monmouth. Ian had smartened himself up for a change, leaving off his usual polo shirt. The crowd in the stalls stayed on their feet for the whole two hour set and, again, the band looked to be loving it. There was a second drum kit set up next to the one that Martin Chambers was playing and it was uncovered for the encore. Buffin, looking extremely frail was led to the front of the stage and then slowly to his drum kit. It was heartbreaking to see him in that state, apparently suffering from Alzheimer’s. Martin looked after him though, supplementing Buff’s drumming and filling in for the bits he missed. Apparently he got his first drum kit from Buff forty years ago and was pleased to be able to give a bit back now that the opportunity had arisen. They got a great response at the end and I cleared off, just managing to catch the train that got me into
I left work on the Friday even earlier than the previous day. I was checking into a posh hotel near The Embankment that my mate David had organised and had then had plans to go to an exhibition of photos that Morgan Fisher was showing about half an hour away. Morgan Fisher was the keyboard player on that first Mott the Hoople LP that my Mam had bought me. He took over from Verden Allen for the last year or so of the band. He wasn’t playing in the reunion but would be in the crowd for the shows, meeting his old mates backstage and taking the opportunity to show and sell some photos of Mott’s 1974 American tour. I got to the gallery about half an hour before it closed and as I went up the stairs was met by the sound of Morgan and John Fiddler playing Saturday Gigs. John was the singer in the post-Mott band British Lions. I listened to a couple more songs, looked at the photos and bought one. Morgan was very friendly, but I didn’t chat much, I always find it a little strange meeting people that I’m a fan of. I got back to the posh hotel, had a quick few beers with Paul, David and Doug and then hurried off to the gig.
I had two tickets for the circle for that night, but didn’t want to be up there. The stalls seemed to have a far better atmosphere and a much closer view, so I swapped my two for the circle with one for the stalls and then just before they came on made a dash for an empty front row seat that apparently had been set aside for photographers. Another great set, I cried a bit during the encore, shook Verden’s hand and we continued singing the ‘Goodbye’ bit of Saturday Gigs for at least five minutes after the band had left the stage. Met the lads in
Saturday, I nipped off to see the Boro win at
Monday and I was back again on the train after work. I’d swapped my spare ticket for Tuesday with someone who had a spare Monday one and that meant I’d see all five gigs. John, the bloke I was with, was an interesting character, he was driving an ice cream van to
Tuesday, Joe Elliot did a covers set of Hunter and British Lions stuff as support, probably the best received support of the run. Too quickly though the final show was all over. They had got better throughout the week and seemed, like the crowd, to be having the time of their lives. It’s the little things that stick in my memory. The look on Ian Hunters face when he sang the line in Sweet Jane, ‘Me, I’m in a Rock and Roll band’ and the reaction of the crowd to the bit in Ballad Of Mott where he sings ‘And Pete’s still a Rock and Roll Star’.
I didn’t ever think I would get to see them and I’d never considered after the gigs were announced that they could possibly be so good, that they could play with the enthusiasm and vitality of a band forty years younger. Rock and Roll Queen could have been Oasis in their heyday, not a bunch of pensioners getting together for the first time in thirty five years. Let’s hope they do it all again in 2010.
Top ten lists to follow of sporting events, things I planned to do but didn’t, fishing trips and miscellaneous stuff that isn’t sporting events, things I didn’t do or fishing trips. My missed trip to the world angling championships may very well make all four lists. I hope to have them done by sometime in April.
Friday, 1 January 2010
Festive 45 Top Tunes 2009
And finally, through a recovery haze we get to the top 15 tunes of the year. Just a few words for the coming year for the contributors on here.