Sunday, 29 November 2009

Album - Miike Snow



This album really shouldn't be my sort of thing. Three blokes playing keyboards, no incessant dance beat to keep me interested and not a raking guitar in sight. Couple that with the fact that I accidentally came across the band at V Festival of all places and it just shouldn't work.

To make things even worse, 2 of the chaps are better know for their production exploits in the pop arena and amongst other things co-wrote 'Toxic'.

What makes the album work, is that its packed with memorable tunes, chorus's and easy access is granted through the addictively catchy single Animal. I'd heard this song prior to the V Fest gig and with the added live and loud drum sounds it was even better. There must be 300 remixes on the web but the album version is definitive for me.

From here on in it's tune after tune in a Beautiful South meets Darude fashion, sure you can hear the remnants of their chart music in the background but there is virtually no filler on this album.
12 tunes 12 songs 12 things to go back to and no skip button required. Perhaps this is the answer to the current downloading 'the hits' issue ie no one buys an album anymore. If every song were as good as the first single then the album would sell.


Of course its not all as good as 'Animal' but it'll last in the car stereo or on the MP3 player for a least a couple of months. What's more your girlfriend or boyfriend or mum will steal it after that and at least you can turn up to see one dance band at next years festivals.

Good value all round, anyway give this 20 seconds

Tuesday, 24 November 2009

Guest Review - Morrissey 2006

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The last time I critcised Morrissey in public was after The Smiths ill-fated gig at Preston, when a blood stained Moz stormed off stage during the first song. As a disgruntled fan I

aired my views on a local radio phone-in which the great man heard and quoted verbatim on the Janice Long Show. Quite a claim to fame that has not deterred a review of this, the final leg of his three nights in Manchester.

The Bridgewater Hall is acoustically wonderful, aesthetically beautiful, but as a venue for rock n roll it is about as lively as the Southern Cemetery. Previous Morrissey homecomings have been evangelical affairs but in the sterile home of the Halle Orchestra only the grasping front row could claim to have been touched by the hand of God tonight.

Misjudgement has lingered around Morrissey since the 90s and the choice of “You’ll Never Walk Alone” as his entry music is greeted with boos and jeers. A deeply unpopular song round these parts, the pallid arena is suddenly turned into a football stadium as the association with arch rivals Liverpool proves a red rag to the Red Rags in the audience. Sadly this moment represents the energy peak of the evening and it’s all downhill from here. Non-plussed Morrissey has a dig at the audience for failure to appreciate the history of the song and later rebuffs the drinking classes who couldn’t be bothered to watch his chosen support acts. Perhaps he doesn’t understand his audience if he thought a scouse anthem would be greeted with anything other than derision. A fairly basic mistake for a Mancunian legend.

The next eighty minutes sees him deliver a mixed bag. Certainly there are moments of brilliance when, gliding like Vegas crooner in his flowing shirts and polished shoes, he reminds us of just how good his work can be. First of The Gang to Die, his best song in nearly twenty years, leads in to Still Ill, but when he sings “it just wasn’t like the old days anymore” he is so right. It wasn’t like the old days at all and the rest of the set meanders on taking us through the generally tedious Ringleader of The Tormentors. A blast of The New York Dolls’ I’m a human Being and the glorious How Soon is Now briefly spark life into the show, but the evening is enveloped in a flatness that never gets shaken off. Suedehead and other favourites are left ruefully in the dressing room and the night fizzles out long before ninety minutes are up. “He’ll be off to his hotel for a coco now” observes one fan. Perhaps they know him better than he knows them.


Sunday, 22 November 2009

Drunken Stalking of The Young Republic



It wasn't supposed to be like this, maybe one gig in Coventry and then one in Middlesbrough the following week........ just to see if they change the set.

The fairy gods in the sky had other plans though and conspired to present four opportunities to see the band, any of which would have been both rude and churlish to turn down.

Monday evening and for the second time in a few weeks I found myself mid motorway heading towards the soon to be legendary Brudenel Social club. The last gig I'd attended here was Slow Club and as per the recent review they were fantastic, so hopes were high. I guess I must have ranted on so much about The Young Republic (TYR) that Pam was quite keen to see them and I'd also managed to rope in 3 other pals. The Slow Club gig had been rammed so we turned up early to be sure of a decent spot, and we literally could have picked any seat in the house. I'm really not one for criticising up and coming bands or their management, especially as I probably have scant detail of what went on and little understanding of the difficulty of touring a band from the US....But Brudenel Social club is surrounded by student accommodation. No one except students and sad old ex students would feel comfortable in there, so why book a band to play the Monday night of half term.....

This is a slight aside, but through work I met the girlfriend of the tour manager a week after the shows............I so nearly put my foot in it, but unusually kept my gob shut at the right time.


Including girlfriends of the support band and a few other ageing folk like us the audience numbered about 20. As it was so empty I managed to get Rosie a signed T Shirt really early on and actually had a coherent conversation with Julian from the band. Pam had offered to drive after the gig so this level of coherence was soon abandoned especially at £1.80 ish a pint for cider.

Irrespective of the low attendance or perhaps because of the wide open spaces the band seemed to group together as a tight unit reminiscent of The Waterboys in the Fisherman's Blues phase. Interactions between members were frequent and it seemed to me they were creating the songs as they played. Sections of The Alchemist were played at a furious tempo and the violin solo really was special. Thankfully someone in the audience called for 'one more tune' and we were treated to a Beatles cover.

After the gig Julian and drummer Logan came over to say hi and thanks for making the effort, I'm pretty sure that I was tipsy and 'disgusted from Manchester' at the lack of attendance. I'm also pretty sure that I said I could do a better job, sometimes I should stay sober.

Part 2 of the adventure takes place on Thursday night in Dulcimer Folk Club on the outskirts on Manchester. It's 20 minutes from home and we had nothing else on, so myself and my 13 year old daughter headed over to the gig. On arrival it's most definitely 'a bar', with the gig in the upstairs room, I'm a little apprehensive at this point thinking Rosie may get turned away for being too young. I needn't have worried, she marched through the 3/4 full bar as if she owned the place and then made friends with the bloke on the till.

This was looking better though, it was packed enough that we couldn't see from the back and were ushered to the front just so child could see. Despite dubious billing of the support bands, local lads get billed higher than they really are, local band Petty Thief were on stage as we sat on the floor two yards from the front. They did a decent few tunes of folk indie to fairly rapturous applause from the audience, being totally sober and somewhat astute I quickly spotted the big local turnout. And true to form as the band finished the upstairs bar emptied and the locals went off to chat to their favourites. Why would they not stay to watch the other bands? Major good result though as a couple of chairs in row two previously occupied by grandparents became free.

I'm not going to write too much about 'Don't Move' who were on the whole tour with TYR except to say

Top musicians, particularly the bassist
Singing was good
Seemed like really nice people when we talked to a couple of them
Sounded a lot like The Monochrome Set - this is a good thing

The Young Republic appeared next about 4 yards in front of us, not much use if you are trying to play down your stalking credentials.


As in Leeds just one tune off the first album, a couple of new songs and unlike Leeds they played Tidal Wave (at the request of the support band). Another good result as it's Rosies favourite tune on the album and it works brilliantly live, so much so I could feel the cost of violin sessions appearing beside me. 'How come no-one told me you could get electric violins when I was eight'. My mouth said 'I'm sure we did' my head thought 'because I like my ears too much'. Anyway in the cramped space the playing was fantastic and regular accidental playing of the symbol by Chris with the base guitar was a bonus.

The following night

Friday had potential to be a big night and so it proved, the gig was in Middlesbrough at The Westgarth Social Club about 200 yards from where I grew up . I'm mentioned this to my gran a couple of weeks previously, to which she responded 'oh your grandad was a bookies runner in there and he's still banned'. He's been dead for about 35 years so whatever he did it must have been extraordinarily spectacular. Perhaps he lead a racehorse over the snooker table.

When you are catching up with old pals and a mate from work and again the alcohol prices are so low and your current favourite band are playing, then the consequences are somewhat inevitable. Some bands get to be 'Big in Japan' unfortunately TYR must have had their mapbook upside down in school lessons or maybe the town was hidden by the smog but 'Big in Middlesbrough' is not a phrase applied to many bands. I'm pretty sure the last one was a band called 'Bomber' in which my uncle Norman (Nosher- as he was known then) played drums circa 1971. If anyone reads this and knows him then take it from me , he prefers to be called 'Nosher' still.


This was the fourth TYR gig in Middlesbrough and had drawn in about 250 people so the atmosphere was miles better. The band acknowledged the support by playing about four songs off the first album all of which went down a storm with the locals. The second half of the set comprised mostly of the new albums noisier songs and was absolutely blinding, despite having a grumpy mate beside me who wanted more of the old stuff. Now grumpy Craig had also laid himself a time bomb last time we saw TYR at the EOTR festival by complaining that they did too many covers and he hated bands doing covers. For the encore Julian announced 'we are going to play the full Beatles rooftop set and 'see how it goes'. Well it 'goes' fucking brilliantly and even half inebriated I could spot a note for note rendition. Craig was speechless. Possibly his favourite bit of his favourite band covered perfectly.

I'd just about laid low enough to get away with the stalking thing again but made a mistake of going for a piss, just as I was leaving Julian walked into the loo's and give me a very strange 'stop following me look' in my defence I was in the loo first!

When Saturday Comes


Then to the final gig in Newcastle, except my day started with a slight hangover and we were off for pre football match drinks at 12.30....oh good. Today's plan then was to drink, go to the Boro match, half time drink, meet in the pub for post match drinks, get a minibus to Newcastle for pre gig drinks then gig and more drinks. We were in trouble early doors. Pals from the northwest (away fans) had joined us for the day, drinks, music, football and mates and now a bus tour. Add to that meeting a long lost cousin at half time at the football who also ends up on the minibus for the full session and this was going to be messy.

It was Halloween too, and so an official party night.


I honestly have little recollection of the gig other than the dancing and singing woohoo that's great stuff. The snippets I do have are

We had sausage sandwiches somewhere close
Richard mate nearly died climbing some steps
The bands got dressed up as monsters
Nearly half the audience were from our bus
Carl cousin got as trashed as the rest of us
We asked the band if they always had 40 velvet chairs on the backstage'Rider'
The whole set was changed round
They only played one old song
Even Kristin looked scary



They finished with the most perfect version of Ghostbusters
We drunk more outside on the smoking balcony and I didn't smoke
I had a very drunken conversation with at least 2 band members

I have no recollection of the shite I was talking and if anyone ever meets them please apologise for me as I'm sure there must be a restraining order by now. In conclusion the new album is fantastic and I think it sounds even better live.......... and never go drunken stalking a band as it freaks them and your liver cries for a week.


I still reckon I could do a better job of booking gigs though, tequila or no tequila

Wednesday, 18 November 2009

The Airborne Toxic Event - Manchester Ritz



Apologies for the delay in this gig review. The normal trick is to get home slightly tipsy and write the review immediately thus ensuring millions of hits on the site the next morning and thereby entertaining everyone with incoherent nonsense. In this case it's almost certainly a good thing that I collapsed into my bed rather than foist late night rantings on anyone.

There are two distinct types of gigs in my head, the ones where you can appreciate the musicianship and more often than not these tend to in smaller venues and are often acoustic. There is an exception to this, which is the early afternoon bands at festivals where the same thing can apply. The second and as anyone who knows me can testify my favoured option, is the full on band with drunken singalong 'how great is this?' behaviour.


This gig was always destined to be the latter rather than the former as I was meeting an old pal for a 5pm drinking start. We had a brilliant three hours of drinking heavily and talking bloke nonsense before staggering off to the gig. Just so you understand the caliber and depth of conversation the only useful conclusion we came to is; that blokes don't need any new clothes after the age of 40 (Ever) provided they don't change size. ok a sex change could change things too, but I don't recall that part of the conversation.

We met other pals outside the venue and promptly lost them as we had our beer and bar priority heads on by now.

Full enough but not too packed the perfect combination, enough room to get comfortably to the bar and back, swaying space and 12 yards from the front..ideal. The Ritz isn't a massive venue but a little imagination had created an excellent stage set, drums raised atop of a set of stairs rear mid stage and then two huge white light panels below on either side.



Silhouette guitar playing shapes and curvy silhouette girl shaped violin playing kicked off the show with feedback at two pegs below uncomfortable.



From the end of the instrumental the band played every song on the album with confidence and swagger, even I could tell they'd played an awful lot of live gigs lately. It was the third time in Manchester in 12 months, at least a few other people had missed the first 2 shows as we were informed that audiences had grown from 6 to 200 to about a 800 at this gig...that's a wild guess.


I'm sure the sound was fantastic and the playing virtuoso, but more importantly they played all the songs I know and we got to sing and dance. There was a Springsteen cover,a Lou Reed cover and they played a couple of new songs that went down a storm. They even threw in a couple of shortened Smiths covers during the encore tune as homage to their favourite Manchester band (cue even louder drunken singing). On top of this they looked like they were having a great time and that they appreciated the support of exuberant crowd.

Listen to the album, make an effort to see them at a festival next year and lets hope they play Manchester a few more times. Good band top night out.

9/11

Friday, 13 November 2009

One for the Weekend



Now this ancient idea is stolen off other people who stole it off other people, as encouragement for folk to feel confident about dipping a toe into the hot waters of commenting, I’m going to introduce One for the weekend. Don’t worry it’ll last two weeks as it needs a touch of preparation.

The idea is, one of us rambles on about some nonsense or other that has happened that week or is about to happen and then asks some astute questions. Any passing drunk over the weekend can then add slurred and hopefully splendidly funny answers. Inevitably a couple of rules need introducing just so they can be dashed on the rocks immediately.

Firstly please sign in or at least sign your name at the end of the reposte,

Secondly its compulsory to post your response to the questions BEFORE commenting on the previous works of genius. And finally don’t be a knob or be mean.

So having had my bout of pig flu and given my dollops of blood for checking I’ve had the all clear, with a bonus sticker of ‘your liver count is a bit lively’. Last time this happened about 2 years ago I got completely shedded at a Christmas party and made it home about 1pm the next day. This time I thought great, virus gone feeling sparky a bit of Big Picture wouldn’t go amiss. It’s hardly my fault that the drinking party Gods have conspired to fill my next 6 days and nights with temptation.

So the last two nights have been Beechy stays over and that’s always bad for booze, followed by a 5pm start for a gig at The Roxy last night. And so in my woozy state I’m going to publish this before I head off for a works team drinking party in Knutsford. Then my folks arrive for 2 days and my dads never been shy of a pint and then Monday and Tuesday night are ‘out on pre Christmas business’.

If everything gets a bit disjointed in these parts you’ll now understand why.

And so to the first Four for the weekend

1) Your greatest drunken party moment?

2) The funniest thing that’s ever happened at a house party you attended

3) Best place you’ve fallen asleep or woke up after drinking

4) Favourite comfort food for hangovers?

That’s an easy start to proceedings and I’m counting on the usual suspects to kick this off, but anyone else should feel free to pitch in.

It’s nice to know you’re there.

Tuesday, 10 November 2009

Album Review- The Twilight Sad- Forget The Night Ahead


The thought of dogs eating their own faeces (as described on these pages) and, in the same breath, the latest Arctic Monkeys album, inspired me to write this latest review..
Combining Interpol's dark meanderings with Mogwai's tempestuous thunder is a description of a band's music that only ever existed in my head. However, not only do The Twilight Sad sound like this, but they then go and top it by writing obscure, slightly macabre tales about televisons being too loud, becoming a prostitute, and making sure not to spill any blood before dinner, to name but a few. They are straight from the Arab Strap school of depicting seedy Glaswegian nightlife, all delivered courtesy of James Graham's thick Scottish burr.
Reference points other than the ones above lie mainly in the Creation records camp of the early 90s, with the coruscating guitars of The Telescopes and the tumultuous rhythm section of Swervedriver coming to mind. I can only begin to wonder how this might all sound live. But it is not just all about the colossal sound. There is an eloquent sentimentality to the songs, despite some of the subject matter, and it is this articulate suggestiveness that carries the emotional depth of this album above most instrumental post-rock output, and firmly into the box I've marked as Top 10 albums of 2009.
Opening 3 tracks "Reflection of the Television", "I Became a Prostitute" (which is worthy of anyone's attention based on the title alone) and "Seven Years of Letters" are an awesome start to proceedings, and although this level of intensity couldn't possibly be maintained throughout the rest of the album (or else the band and its listeners would have had to go and have a lie down in a darkened room for an hour halfway through), the gorgeousness of the chorus in "That Room" is enough to make an overgrown man weep...
8.5 out of 11


Monday, 9 November 2009

Guest Review - MOTIVATION A LA FISH


This week I had a memorable or absurd experience. Our office was sent off to a workshop called “Motivation a la fish” and yes, it was fishy.

The coaches of this course were Dutch and we were divided in three groups :

First group was for the German speaking, second for the French speaking and third for the English speaking. It seemed someone pulled for me the lucky card, because I was in the English group as only one with the management. Great – just great – I tried to switch into another group inconspicuously of course by walking and speaking with the Frenchs, but well it was noted and the big boss called me back “ You are with us. Come on, that will be a really fun”. Shit, I thought and again shit …

Our coach for the English group introduced herself with a singing “Good Morning, I am Marlene and I will lead you through this fantastic day” – I think, she was half stoned and forgot to put real clothes on when she left her hotel room as she was dressed like a very old cowboy girl with white cowboy shoes and a strange brown skirt.

I won`t mention the top now that would go beyond the scope ….

After sticking our name tags on our breasts and introducing ourselves, we started with the first motivation game: Running around the room and trying to hit the other person with a balloon on the head. I had to ask her again: “Sorry, what shall we do?” and then she said to me:” Yes, you are a bit scared now, but do not worry it will help you with your motivation”

Well, she was really stoned and I thought, alright I have the permission to hit someone from the management on their heads. I had such an experience before in school. We played football teacher against pupils and what happened was by accident and it was really an accident I tripped my art teacher up. He fell so badly on his big belly that he had to leave the field. Well, I got a lot of applause and later a beer, but my next art mark suffered after that.

Well,Marlene turned on the music a bloody Britney Spears song “ do it one more time ” or so . and then shouting happily into the room “Let´s go and run”. I just stood up and didn`t move with my green balloon , because this was insane. Of course, Marlene came up to me and said I should join in and not to be scared. Yes, dead right I was scared of her and her stupid games.

Cowboy and Indians

Next task was to build little groups and find key words for choose your attitude, be there, play and the other one I forgot…it was something with to be focused on …

Took all groups nearly an hour to find words put them in order and discuss it – my motivation after this – please let me go home now!

Suddenly Marlene clapped her hands and said:,Come on all outside we have a little surprise for you!” Brilliant, probably we are playing hide – and seek and I just can disappear – super, now I felt a bit motivated,but this only lasted a second as it turned out we all had to come together for a group pic. Oh, God, this as well….and I had to stand in the front of all with a big fish in my hands…I tried to cover my face with the fish, but without success they waited for me until I was in the right position.

The resumé: I cannot recommend it at all – didn`t motivate me – I was very tired after it– even my son said to me: You look a bit sick, this training day wasn`t good for you, Mama! – a nice try

A training day with David Brent is more likely to work

Click on this

You know what I mean